Cryptic News from the Willow Creek View. Transhuman Sasquatch Strangeness from the Middle of Nowhere.
A Voice Howling out from the Klamath-Trinity-Siskiyou Wilderness. This is the Megaphone of Steven Streufert and Bigfoot Books, a Used Book Store in Willow Creek, Humboldt County, Extreme Northern California.
Hello all. In case you have wondered why I have not been "blogging" much lately, well, I feel you should have an explanation. Aside from a general annoyance with the state of Bigfooting these days, and a general sense of finishing something up in Bluff Creek, I've just been active elsewhere. In case you don't know about it, I'd like to invite you to check out our new discussion group on Facebook, THE COALITION FOR REASON, SCIENCE, SATIRE AND SANITY IN BIGFOOT RESEARCH. It is open to all to read and join, so long as you are a user of this popular anti-social networking site (who isn't?). If you wish to post you may simply join the group. See below for general guidelines.
This group has been VERY active, with some 400 emails coming in today, so if you don't want that happening just set your notifications for the group to "Off" and check in once in a while.
In case you haven't heard... We are "E.V.I.L.":Evidence Verified through Investigation & Logic
Introductory Message:
"This group is open to all, and seeks to promote the spirit of rational thinking and evidence-based reality orientation in a field (BIGFOOTING) gone mad with fantastical dreaming and grandiose presupposition. This is a pro-Bigfoot group open to skepticism and critical thought, so long as it is not hateful or too slanderous. This group is democratic, anarchistic to the greatest degree possible, and non-believers and fanatics are equally welcome to participate. All are encouraged to be either constructive or funny, but we ask that personal insult be saved as a last recourse. Take a stand for the compatibility of Sasquatch and Reason. Add all of your 'Squatching' friends to this group."
Our Holy Teachers:
CHOWBUNGA
PROPHET HYPNO-TOAD
THE HEAT MISER SQUATCH
MINDSQUEAK PRIEST TEACHER MOUSE
SAINT RENE
A Further Message:
""We are a group that posits the unusual position in Bigfooting that one may approach the strange and unknown with reason and logic. We seek rational and evidence-based explanations for the phenomena associated with Bigfoot, and refuse to give in to the lazy paranormal option. We do not believe that fact is a matter of belief, and that truth may be known with patience, Science and reason. Reality is indifferent to belief. Sasquatch does not live in the human mind unless it is a mere myth. Evidence points to a flesh and blood animal that walks the earth, eats and leaves scat, and footprints in the physical ground. We wish to explore the possibility of Bigfoot reports and claims with an open, skeptical attitude that sees as much value in exposing false claims and bad ideas as it does in affirming a belief system based on our own experiences and potential encounters. Either a thing is real or it is not, and we seek to know the difference."
And a further Personal Statement for you:
"I stand for Sasquatch as I stand for respect for all beings. All living things have their own ways, and their own forms of sentience. I stand for their right to exist, as I also advocate that humans expand their awareness and understanding of other life forms. We are not the only beings in the universe or this planet capable of feeling, thought, self-awareness, and the experience of Being. The utilitarian viewpoint of anthropocentrism must end, as also must anthropomorphic projection of our biases, values, uses and predilections upon the living world. These are the great ethical crimes of human history.
These are the source of all our destructive impact upon other living beings and peoples of the Earth. The argument as to whether the Bigfoot are apes or humans is specious and spurious. We are part of the same family, Hominidae. We share the same tribe as chimps, the hominin. All animals, all life forms, have their own adaptations and responses to the world. These should be understood on their own terms, respected and valued. We should find ways in which we ourselves may live without devastation and destruction of the habitats and life-ways of others, be they human or other form of animal. We, humans, are animals. We are evolved from and part of what we call Nature.
This is the context which gave meaning and breadth to the lives of traditional aboriginal peoples across the world, the concept that we were all brethren, that one spirit infuses all of us, and is manifest in each creature in its own way and form. All of life, in this view and experience of the world, has meaning, value and its own truth. It is a much more rich and textured way of experiencing life than that of the modern human, isolated in cities, and so hypnotized by the products of our own culture that we do not even see the stars at night and know that we are dwelling in a massive galaxy hurtling through a universally interconnected space-time.
Not to devalue Science, as it is this wonder of humanity which taught us about these very galaxies and our own place in them; but rather, let us practice the expansion of our awareness and knowledge with a respectful and open appreciation for all things, such that they may be discovered, known, and experienced in mutual co-participation in this strange Mystery of existence. Sasquatch, as much of we know of it, and as we know so little, represents the living unknown, a being able to walk like a man but still live in the deep grandeur of natural being. Let us regard this as a guide, and a lesson, for how we may conduct our own daily lives, and the direction for our future civilization."
This blog is copyright and all that jazz, save for occasional small elements borrowed for "research" and information or satirical purposes only, 2007-2012, Bigfoot Books and Steven Streufert. Borrowings for non-commercial purposes will be tolerated without the revenge of Angry Bigfoot, if notification, credit, citation and a kindly web-link are given, preferably after contacting us and saying, Hello, like a normal person would before taking a cup of salt. No serious rip-offs of our material for vulgar commercial gain will be tolerated without major BF stomping action coming down on you, hu-man.
"After finding bigfoot, Steve the bigfoot hunter thought
his job was done. But little did he know, his adventure
had just begun. "
BIGFOOT'S BLOG Early March 2012 Edition
Beware the paths you take in the woods in pursuit of such things as Bigfoot, as they may lead you to odd places. In my own case it came to happy ends, as I am now a cartoon character serving as the basis of a series of books for children presenting Bigfoot and the study of it in a positive, appreciative light. For some investigators, and Bigfoot witnesses too, it ends in ridicule from the general public for believing such "odd" things. For those who have actually studied the history of the phenomenon, the possibility of an actual creature existing most parsimoniously explains the vast body of sightings reports and other evidence. For some, it is just good, plain fun.
Last year Natasha and David Breen, artists and authors behind the FEISTY CATS and CATS IN BLACK series of books for young people, and residents of Humboldt County, Bigfoot Country, produced a first book in the Bigfoot series: "Steve the Bigfoot Hunter." Now they are out with a new one, "Steve the Bigfoot Doctor." Both of these books are in rhyming verse and tell optimistic and cheerful tales that might just inspire the next generation of cryptozoologists. They are cute and funny, and to myself (especially as I am in them, along with my favorite hairy hominoid) rather endearing.
The authors have produced a lot of other books. The FEISTY CATS is a kind of super-hero comic series for young teens featuring cat-people dealing with the complex moral, social and psychological issues of growing up and trying to do good in the world. The CATS IN BLACK (a pun on "Men in Black") series deals with more complex geo-political issues often involving conspiracy theories and "forbidden knowledge." In fact, the authors have seen their books featured on the web sites of both Alex Jones and David Icke. They have produced a set of books similar to the Bigfoot ones that feature a young David Icke, the notable British theorist responsible for the "Reptoid" theory, as a character.
See below for an interview Bigfoot's bLog did with the authors, as well as to find links for viewing their web pages and books, and to make purchases if you'd like.
Also, see below for what happened to some friends of ours when they mysteriously found themselves the stars of a very popular TV show, FINDING BIGFOOT. Yes, they were made into cartoon characters, too, even super-heroes. It is weird to see your friends on TV, but it is even stranger to see Matt lose his belly for a set of six-pack abs.
OK, I'll admit it, it's weird being a cartoon character, but also kind of cool. At least they didn't make me go Bigfoot researching with Justin Bieber, which was one of their earlier story ideas (see the animation below).
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FEISTY CATS IN BLACK INTERVIEW, 11-5-11
BIGFOOT BOOKS: What is Feisty Cats and Cats in Black, and how did this series get started? Is it a superhero comic, a graphic novel, a kids' series? And what is its purpose?
Tahsa: I've been drawing cartoon cats I called the "Feisty Cats" since I was eight years old. Just two years ago my brother David took interest in my characters and their concepts and helped me put a story line behind them which started the children's storybooks.
David: Natasha works at a preschool, and the children she shared the Feisty Cats with, seemed to really like the Cats In Black characters the most. And this got us to thinking that we should just focus on something that is already familiar.
Tahsa: The Cats In Black is now our main focus because people know who they are, but they are still different enough to make them our own thing. That is one of the reasons we made them cats. We thought Cats In Black would be a better means of telling conspiracy theory related stories in the background setting of a comic strip.
BIGFOOT BOOKS: OK, for those who do not know about it, what is Cats in Black? Why are the characters portrayed as cats, and how does this reflect on ordinary human society? Are they a form of superhero, or are they meant to show the true potential of all kids and people to do great things?
David: The Cats In Black plays off the "Shadow Government" conspiracy concept. We wanted to use characters that were already familiar to the public, but something also shrouded in mystery in order to give us the flexibility to make it our own and use it as a backdrop to play around with well known, relevant issues. You could think of the Cats In Black being the fictional characters who are responsible for all conspiracy theories . Our goal was to touch on popular conspiracy theories, while still remaining light humored and appropriate for all ages. Another reason we made them cats, was to appeal to kids.
Tasha: The Feisty Cats was about superhero cats, and the Cats In Black were their body guards. The Cats In Black didn't have powers, they were like the Lex Luther of Feisty Cats. They have none of the powers but technique and other means at their disposal.
BIGFOOT BOOKS: Books for kids (though I'm sure grown-ups will enjoy these, too) usually have a MESSAGE, a moral of the story, or an inspiration to help kids in growing up and developing their personalities. How do you think your books function in this regard, and how did they grow out of your own childhood experiences?
Tasha: Books for self empowerment and critical thinking are the primary concepts we are trying to get through to kids. Our books are just topics that we are interested in. They don't have anything to do with our childhood experiences.
BIGFOOT BOOKS: How did the Feisty Cats originally evolve in your own life, Tasha? What did you see in them, and how is it that they have persisted until now that you, as an adult, are sharing them with the kids of the world?
Tahsa: First I drew them out of my imagination and as I got older I started drawing characters I saw in people. Most of my Feisty Cats are inspired by people I admired and people who I thought would look cool as cat people. It's just persisted because that's what I love to do. I would stay in my room and draw cats all day, and eventually my brother noticed maybe there was something more useful we could do with my characters. And now it's really exciting that we have our books being sold online in Europe.
BIGFOOT BOOKS: And David, what is your background, and how did you get involved in these stories and books?
David: I liked to draw a lot when I was a kid. But as I got older, I lost interest in my art and spent most of my time playing video games. I even went to college hoping to become a computer programmer, but I'm glad that didn't work out. It wasn't until I discovered Macromedia Flash and started playing around with the concept of vector graphics, that I started drawing again. I had several years practice, designing logos and doing freelance art. When I started to become more interested in the Feisty Cats, I wanted to contribute with my computer art abilities, and we are where we are today because we both share the same passion for these characters and their stories.
BIGFOOT BOOKS: You had another popular project, David, with large online following. Do you wish to mention that here?
David: When I started drawing on the computer using Flash, one of my first projects was a comic strip about movies. It took off there for a while, but movies was never my passion. I ended the comic strip after a good 2 year run. I'm much more excited about working with Natasha on Cats In Black, because this series will have a following of cool, open-minded people we can look forward to connecting with
BIGFOOT BOOKS: Can we say “Movie Comics”? OK, to me, from what I’ve seen, the Cats books are basically Super Hero tales. How do you think the superhero model works for kids who have to live in the “Real World”? Also, how do your stories move from situations featuring kids in the struggles and issues of growing up to the topics of conspiracy theories and such things as Bigfoot? Are you, in the manner of much Science Fiction, addressing the Future, and the Unknown, and “Possible Things”?
David: Yes, Movie Comics. A comic I illustrated and co-wrote with Salvador Garcia, an old friend who moved to Peru. For Cats In Black, we've abandoned the superhero model. Although it was a popular concept when we were kids - today I believe it's becoming a bit redundant. We wanted to do something more innovative - because having powers makes things too easy and unrelatable. The conspiracy theory crowd and new age ideas are becoming more and more popular, and we believe Cats In Black would be perfect for this emerging market. We are using conspiracy theories as the background model we work with when trying to convey our messages of self empowerment, thinking for yourself, and the power of positive thinking.
Tasha: Our stories are based on conspiracy theories, so by their definition they are not fiction or nonfiction. It's up to the reader if they believe in conspiracies or not.
BIGFOOT BOOKS: Yes, indeed. Superheroes imply some kind of supernatural power or gift, whereas the average person has only their wits and imagination to get by with. Does battling against these dark, conspiratorial forces symbolize freeing the mind? Does it imply some kind of revolution that may restore humanity to greater dignity and strength, even though these characters are cats? What is it that these conspiracy theories represent for you? Aren't they kind of like the old good guy-bad guy scenarios of comics of the past, battles between good and evil clearly demarcated?
David: The humor of our series is that it's from the perspective of the so-called conspirators. I don't see it as so much of a good versus evil situation. The Cats In Black are depicted as neutral characters by their nature who see their actions as simply doing their jobs.
BIGFOOT BOOKS: Well, normally the Conspirators are seen as the Bad Guys… "THEM." Is this a counter-conspiracy, then? Recently, you have had a major breakthrough with the books, and that is the involvement of a certain individual (I don’t mean myself) who is now being featured in several of your latest titles. Can you talk about that, and how his theories of Conspiracy and Reality relate to your own books and creations?
David: But yes, the concept of a conspiracy for us is when information is maliciously kept from the public. David Icke is the perfect leading character in our series, because we feel he best represents this up and coming movement of free thinkers.
Yes, the Cats In Black are seen as the bad guys, and David Icke's character is the good guy who represents the mind set and value system of this unique and exciting modern day truth movement in which he is the top figure head and most successful outspoken personality. It's a huge opportunity and privilege to be working with David Icke and his crew on the Cats In Black storybook & comic strip series. We have 3 books available right now in David Icke's online bookstore under Children's Books, (Including Steve the Bigfoot Hunter) and you can visit the Cats In Black website to see the weekly conspiracy comic strip. (www.catsinblack.com)
Tasha: Our rhyming picture books take David Icke's idea's of self awareness and staying positive amongst the chaos, and simplifies them into stories that is easier for kids to understand. We also feel the Cats In Black would appeal to adults who are not normally curious about these topics.
BIGFOOT BOOKS: So, you are actually working with Mr. Icke’s approval and perhaps aid in the creative process? For our readers here, how do your books incorporate some of the aspects of Icke’s thinking, such as Reptilians, Multi-Dimensionality, Mind Control by the Illuminati, etc.?
David: With this series, we plan to cover all of David Icke's topics of interest. We are directly working with his bookstore staff. They approved our earlier concepts and now we've been given the green light, creatively speaking.
BIGFOOT BOOKS: That is very cool for you guys! Congrats! Isn't some of that stuff a bit scary for kids, though? Or, might it not scare some of the parents away, as well? Much of it is considered kind of "out there" thinking, you know....
David: That's the fine line we have to walk. To make it appealing to adults, but still appropriate for children, and I feel we're doing that really well. Out there kind of thinking is perfect for children's books. Big red dogs seems kind of out there too! Oh, and thank you. It's very exciting.
BIGFOOT BOOKS: Right! Kids are the most “out there” of all humans, usually!
So, aside from meeting me, how did you get involved with BIGFOOT, and how does this down-to-earth hairy guy relate to the cosmic themes of the Cats in Black and Feisty Cats? What does Bigfoot mean to you? How does the cryptozoological quest of your character, Steve, relate to the themes of self-empowerment and free-thinking that you advocate in your other books?
David: Bigfoot for us is just another phenomenon within the series. Like UFOs, abductions and anything else that has eye witnesses. Bigfoot falls into that special category of things that most people have to see to believe. The character Steve, in Steve in Bigfoot Hunter represents a community of people who are passionately aware of a cultural phenomenon that the public at large assumes and interprets as a concept of fiction.
BIGFOOT BOOKS: But, perhaps, the crucial question might be: IS IT REAL? Or, does it matter? What is "real" in the Cats series, and what are its goals in dealing with these stranger aspects of reality? I mean, beyond simple entertainment, what is at the other end of the exploratory process, whether it be exploring the "Crypto" or the "Conspiro" aspects of this world?
David: Part of the humor and spin on the Cats In Black concept is that every conspiracy is real and they are the perpetrators. The goal of our series is to simply highlight these conspiracy topics in a humorous cartoon - an angle that is more attractive to your average person. We want to make information entertaining, and don't want to come off as preachy.
Tasha: We are not saying every conspiracy is real, but that is what will make Cats In Black so interesting and entertaining.
BIGFOOT BOOKS: Fascinating. A generation growing up with these books are quite likely to have a very open mind to the possibilities and hidden realities in this hyper-complex and ever-changing world.
Do you guys have any other things to say about the series, or about life and “Reality” in general? Where are you heading in the future with your works?
Also, where might readers find copies aside from your own web site and David Icke’s? Links would help.
David: An animated television series is something down the road that we've always considered, but this book series is our main focus at this time, and we feel it's the best medium in which to present our material and tell our stories.
So if any your readers are intrigued by the concept we've outlined in this interview and want to help support David Icke and the Cats In Black, right now you can purchase our books directly from David Icke's bookstore. They have 60 copies of our books available right now - and more will be available as soon as we setup a drop-ship method with David Icke's bookstore.
Also check out the Cats In Black website each week for a new conspiracy comic.
It's been a fun interview. Thanks Steve!
Tahsa: I can't wait for the Cats In Black movie. :)
BIGFOOT BOOKS: OK, thanks to both of you! I look forward to seeing where this fascinating series will travel both here on earth and out there in the Cosmos. Best to both of you!
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Here is a funny animation the authors did with myself, Bigfoot and Justin Bieber of all people:
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Cats-In-Black-And-the-Power-of-the-Microchip may also be found on the ALEX JONES BOOK PAGE, too.
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Also...
made into cartoon characters, our friends from FINDING BIGFOOT became super heroes through the pen of artist, Rictor Riolo. Check out his hilarious cryptozoological art through the link below.
Me kind of angry too. Me get made into cartoon and look, me all snaggle tooth growl and mad eyebrow. That how me really look? Plus me have talk bad this like but that not how me really talk. You know they say Bigfoot talk English, Spanish, Russian, Me a linguist, me even talk in your mind use MindSpeak if you let me.
**************************************************** This blog is copyright and all that jazz, save for occasional small elements borrowed for "research" and information or satirical purposes only, 2012, Bigfoot Books and Steven Streufert. Borrowings for non-commercial purposes will be tolerated without the revenge of Angry Bigfoot, if citation and a kindly web-link are given, preferably after contacting us and saying, Hello, like a normal person would before taking a cup of salt. No serious rip-offs of our material for vulgar commercial gain will be tolerated without major BF stomping action coming down on you, hu-man.
Well, the PROOF is in, now without the slightest doubt: The PGF Site has been completely verified. Find below a mathematical proof displaying the correspondence between our site map of the location as it is today, and the 1971 Rene Dahinden "aerial" shot. This proof adjusted camera angle and compared prominent lasting landmarks using trigonometry and geometry. It was done by a practicing geologist. The conclusion?:
"Overall the geometry of Robert Leiterman, Rowdy Kelley, and Steven Streufert’s survey is a perfect match with the photo taken by Rene Dahinden of the Patterson-Gimlin film site. It's nice to see some actual hard science being applied to the field. The survey was really well done. It made it fairly easy to get accurate numbers. Now all we need is the DNA project to prove these things are real. :-)"
The "Big Tree" hiding in the new "jungle" of Bluff Creek.
Photo by Steven Streufert, October 2011.
Documentation will continue next summer, but for now this should be pretty much the last major Bluff Creek blog entry here until then. A few more episodes of the video project will appear in the near future, along with an interview being planned with our mathematician, geologist Jamie Snowhorse.
I'm hoping to move on to a bunch of other topics that have been brewing in the background (for me) while taking up all of the Bigfooting world's time and attention in hopeless waiting and conclusion jumping--that's right, Bigfoot MindSpeak, DNA, ETs and UFOs, and BS. The latter, we hope you know, stands for "BlobSquatches," and many other things in the "Bigfoot Community."
This entry has below the next series of Season Two of the BLUFF CREEK FILM SITE PROJECT VIDEOS, now up over sixty entries. Check them out, Videos 55-62.
Click the link above to view them all on YouTube in descending chronological order. Thanks to the BFRO for hosting it on their BFRO-VIDEOS account.
Now, on to our main feature. As luck would have it, a fellow wandered into my bookstore one day. He lives in a very woodsy area down in the redwoods, and his wife works there, so he has developed some interest in Bigfoot topics. It just also happened that he was a qualified Geologist, capable of doing mathematical analyses of terrain and locations. I told him about our Bluff Creek PGF project, and he was fascinated. Herein we will use his pseudonym for his last name, for privacy.
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Comparing the PG Site Survey with the Dahinden "Aerial" Photo. by Jamie Snowhorse
Jamie Snowhorse who graciously did this
proof for the sake of Bigfooting history.
Out of all of the evidence for the existence of Bigfoot none is more compelling than the Patterson-Gimlin film. The film is the most studied and analyzed piece of evidence in the Bigfoot community. At face-value it is either a hoaxed video of a man in a suit or an actual creature. Over the years the original location has been highly debated with many different “X”s on the map and none seemed to fit perfectly. Only recently has the newest and most promising suspected location been surveyed and mapped with accuracy. The newly suspected site was surveyed by researchers Robert Leiterman, Steven Streufert, Ian C. and Rowdy Kelley in an attempt to put an end to the controversy. Over the years the site had become overgrown and was subject to hydrologic processes that eroded away at the adjacent streambed. The gravel bar in the film is now meters above the meandering creek. And 40 years of weathering has altered the gravel bar beyond immediate recognition. A photo taken by Rene Dahinden on the hillside opposite the creek shows an aerial view of the original film site. This photo clearly shows the same gravel bar where the PG film was taken. In the photo there are many distinguishing objects that would appear in a survey of the area. These objects are durable and static enough to withstand the test of time and maintain their original positions. The best objects to use as survey monuments are trees and stumps because they are immovable and their positions can be easily surveyed. The photo serves as an accurate record of the film site and It’s monuments. The survey of the suspected site by the researchers is mapped on a two dimensional plane consisting of an X,Y grid with ten foot spacing. The survey is accurate enough to trigonometrically determine distances between objects with an accuracy of a couple feet. It clearly shows the stream bed and sand slope of the evolved creek. The orientation of the creek and the overall geometry of the survey gives the impression of a direct match; that the survey of the suspected site is an accurate survey of the original Patterson Gimlin film site. Even though the site gives the impression that it is a match with the original survey site, further mathematical comparison is needed.
The PGF Site as it is today. Map by Robert Leiterman, based upon research
and survey work by Streufert, Leiterman, Rowdy Kelley and Ian C.
Copyright. Research Purposes Only. CLICK TO ENLARGE.
The survey site and the Dahinden photo can be compared geometrically to prove that they are a match. And the first step in that process is to determine the angle of the camera of the Dahinden photo. To do this, a line is drawn between two monuments in the photo. For ease of calculation this line should be perpendicular to the camera and be significant in distance. A line between monuments marked P and K is suitable.This is the line all calculations will be based on. A Third monument should then be selected to complete a triangle between them. The same triangle should be drawn on the site survey between the same monuments. Now that there are two triangles to compare, the actual distances between the monuments in the survey are measured. For an accurate comparison and to double check the trigonometry a calibrated ruler is needed. For the site survey this should be calibrated to the grids set out on the graph. For the photo the ruler should be calibrated so that the actual distance of line PK should be marked on the corresponding line on the photo and the ruler should be stretched to fit (in this case 10.4x10 feet or just 10.4).
The 1971 Rene Dahinden "Aerial" Photo of the PGF Site.
Next the actual length of the sides of the triangle in the survey are trigonometrically derived. Then on the triangle in the photo, a line is drawn from monument V down to line PK forming two right triangles with respective 90 degree angles. This line should form a ray to the camera. This intersection is labeled Delta or “Δ” . Now using the calibrated ruler, the length of lines VΔ, ΔP, and ΔK are measured. The length of line ΔP should be transferred to it’s corresponding position on the survey to exact the location of point Δ. Then a line is drawn from point Δ to monument V to make a triangle that corresponds to photo. These triangles can then be compared and a camera angle derived. The equation used was:
Length(camera angle°/90°)=Measured length on photo
With this equation, an approximation of the camera angle is derived. Therefore, if the actual length of line ΔV is 12.8 and the measured length is 3.7 then the approximation of the camera angle is about 26 degrees. This camera angle can then be used to find objects seen in the photo and objects documented in the survey. If the monument’s actual position corresponds with the measured position on the photo then the survey location and the photo location are a match.
Proof Diagram 1: Camera Angle Comparison.
CLICK TO ENLARGE AND READ.
Now that the camera angle has been derived, it is used to predict lengths that would appear in the photo.
Proof Diagram 2: Landmark Comparison.
CLICK TO ENLARGE AND READ
Based on a camera angle of 26 degrees the prediction of the length of line AK in the photo at 5.37. When the photo is measured with a calibrated ruler the measured value is about 5.2 which is very close... within 2 feet. This proves that the geometry in the survey correctly matches the geometry of the photo. Even more objects can be compared this way to determine their corresponding locations. It is easiest to use the same calibrated line PK to base the trigonometry off of. Next, the position of monuments U, X, and F are exacted. Their positions were verified with an accuracy of about two feet.
Proof Diagram 3: Further Triangulation.
CLICK TO ENLARGE AND READ
Overall the geometry of the survey is a perfect match with the photo taken by Rene Dahinden of the Patterson-Gimlin film site. From this survey, accurate positions in the film of the alleged creature can be exacted which could prove to be useful to determine further information about the film and it’s subject.
Jamie Snowhorse, snowhorse420@gmail.com
Geology student at Humboldt State University, Participant in the US Antarctic program
BRIEF BIO: "I'm a geology student at HSU. I Work for the US Antarctic program. I live in Orick and maintain a small network of trail cameras around the national park. I'm a geology and science enthusiast. I'm also a skeptic and freethinker. I could come up with more but I'd have to do some serious introspection..."
Above, Leiterman's comparative marks on the Dahinden photo and the
2011 Site Map. No, the red circles are not "blobsquatches."
UNIQUE WORK HEREIN IS COPYRIGHT, FOR RESEARCH PURPOSES ONLY.
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THE BLUFF CREEK FILM SITE PROJECT, Current Members and NEW Videos
Rowdy, Film Producer, Adventurer, the most recent member
of our group, whom we met when he was working for
Animal Planet during the local FINDING BIGFOOT filming.
Me, you probably know me all too well.
Bigfoot nerdiness started this PGF obsession, but
at least it came to something REAL in the end.
Robert, State Parks Ranger in the Redwoods,
long-suffering videographer and video editor, he is the one
who forced Ian and me to actually document this stuff.
Ian C., in partial retirement, well OK, total Bigfoot retirement, at least for now.
Ian was a founding member,along with myself, of this obsessive pursuit.
We still don't know if he has seen the site geometry proof yet. Last we heard
he had had enough of California and gotten lost in the mountains of Virginia.
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If there is going to be a BIGFOOTERS OF THE YEAR award, it should go to all four of us, not just Robert and me. Thank you to Daniel Perez and BIGFOOT TIMES for the honor.
READ A FREE ISSUE OF THE NEWSLETTER Containing the Bigfooters of the Year Award on our Bluff Creek PGF site research HERE.
Yep, we're not bragging. We just want to share the information, as always.
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Click on the player boxes below to view the videos. If that isn't good enough for you, right-click on them to open in another window.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT.
This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Discussion at the First Sighting Spot" episode. Part 55. Check it out!
The continuing drama of the BLUFF CREEK FILM SITE PROJECT. This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Where did Bobo Walk? and Start of the Site Survey" episode. Part 56.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT. This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "PGF Site Survey in Action" episode. Part 57.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT. This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Stomping Around in the Bluff Creek Jungle" episode. Part 58.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT. This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Dog Barks at Bigfoot while the Guys Analyze Trees and Cross the Axis" episode. Part 59.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT. This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Surveying the Stumps Walkthrough and Censored Daniel Perez Photo" episode. Part 60. (Believe It or Not)
The continuing drama of the BLUFF CREEK FILM SITE PROJECT.
This is Season Two, brand NEW. Back to the Creek Again! Here you will find the "Pacing the Grid Layout and Marking the Stumps and Debris Piles" episode. Part 61.
The continuing drama of the BLUFF CREEK FILM SITE PROJECT.
This is Season Two, brand NEW. Here you will find the "Marking the Grid, Big Trees, and There You Have It, Folks, The Patterson-Gimlin Film Site" episode. Part 62.
WATCH FOR THE LAST FEW SEASON TWO VIDEOS COMING YOUR WAY SOON.
We'll be back in Summer 2012 with more, and probably More....
What can me say? I show hu-man guys to film site many time, they just no see. Now they get award, and what I get? Bunch of survey flags on my home turf. It not funny. When Bigfoot get award? I the reason you all out there on snipe hunt. Me make you famous on hu-man TV, and I not even get cameo role? I start think again go back to eat hu-man and dog, be monster again and not care. No more Mr. Nice Bigfoot, me say.
This blog is copyright and all that jazz, save for occasional small elements borrowed for "research" and information or satirical purposes only, 2011-2012, Bigfoot Books and Steven Streufert. Borrowings for non-commercial purposes will be tolerated without the revenge of Angry Bigfoot, if notification, credit, citation and a kindly web-link are given, preferably after contacting us and saying, Hello, like a normal person would before taking a cup of salt. No serious rip-offs of our material for vulgar commercial gain will be tolerated without major BF stomping action coming down on you, hu-man.
Our Holy Teachers: 
These are the source of all our destructive impact upon other living beings and peoples of the Earth. The argument as to whether the Bigfoot are apes or humans is specious and spurious. We are part of the same family, Hominidae. We share the same tribe as chimps, the hominin. All animals, all life forms, have their own adaptations and responses to the world. These should be understood on their own terms, respected and valued. We should find ways in which we ourselves may live without devastation and destruction of the habitats and life-ways of others, be they human or other form of animal. We, humans, are animals. We are evolved from and part of what we call Nature. 
These are the source of all our destructive impact upon other living beings and peoples of the Earth. The argument as to whether the Bigfoot are apes or humans is specious and spurious. We are part of the same family, Hominidae. We share the same tribe as chimps, the hominin. All animals, all life forms, have their own adaptations and responses to the world. These should be understood on their own terms, respected and valued. We should find ways in which we ourselves may live without devastation and destruction of the habitats and life-ways of others, be they human or other form of animal. We, humans, are animals. We are evolved from and part of what we call Nature. 
